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Wednesday, April 24, 2024

Review

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Fray – Wilton’s Music Hall, London | Review

Written and directed by Kate Duhamel, Fray is a fusion of Hip Hop dance, music, and digital visuals...

Judas – review

JUDAS by That One Guy Productions, part of Brighton Fringe 2021 comes to the festival after a successful run at Orlando...

Kim Noble: Lullaby for Scavengers – Soho Theatre | Review

Kim Noble's provocative, powerful multi-media production gives a deep dive into his psyche. Is it performance Art? Is...

Scary Bikers review; grief, bicycles and Brexit.

Just a short walk from the squabbling politicians at Westminster, Trafalgar Studios presents a play set around...

Actor Peter Mooney tells us about his latest role as Theatr Clwyd’s Dick Whittington

Theatr Clwyd presents the Christmas pantomime Dick Whittington, “ThePurrrrrfect Rock ‘N’Roll Panto” by Christian Patterson. Directed by Zoë Waterman, Dick...

The Ministry of Biscuits at Barons Court Theatre: review

I went along to Barons Court Theatre last night with my sister to watch The Ministry of Biscuits. This...

The Creature [Frankenstein retold] – review

A vessel trapped in the frozen Arctic ocean miles from the shore, takes on a stranger. The woman...

Trainspotting Live – Riverside Studios | Review

Irvine Welsh’s 1993 novel Trainspotting, is brought to life in this immersive live performance that includes nudity, a lot...
Gabrielle Brooks (Two (Annabella)), Beverly Rudd (One (Irene)) and Natasha Cottriall (Three (Anna Bella Eema) (c) Holly Revell

Anna Bella Eema @ Arcola theatre: Review

Lisa D'Amour's fantastical and surreal play is set in a trailer home in a deserted trailer park that is...

SYNDROME by Tina Jay at Tristan Bates Theatre: Review

The first Gulf war took place over several months in 1991 after Saddam Husain's army invaded Kuwait...