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Friday, March 29, 2024

Review

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The Country Wife: review

Morphic Grafitti’s new production of William Wycherley’s 1675 raunchy restoration comedy, the Country Wife is re-imagined in the 1920’s Gatsbyesque Jazz age of playboys and...

We’re Staying Right Here – review

We’re Staying Right Here from debut writer Henry Devas is a immersive manic black comedy that explores some...

Philip Ridley’s ‘Angry’

Philip Ridley’s new play ‘Angry’ consisting of six monologues is an important work at this time. Directed by Max Lindsay, the intense 90-minute play, subjects...

The Sweet Science of Bruising |review

Wilton's Music Hall is the setting for Joy Wilkinson's play, The Sweet Science of Bruising. This fabulous Grade...

Hannah Robinson talks about the new edition of Secret London, Unusual Bar & Restaurants

The new edition of Secret London – Unusual Bars and Restaurants   is out now and it does not disappoint.

The Ministry of Biscuits at Barons Court Theatre: review

I went along to Barons Court Theatre last night with my sister to watch The Ministry of Biscuits. This...

Mrs. Dalloway at Arcola Theatre

Hal Coase adaptation of Virginia Woolf's 1925 novel, Mrs. Dalloway (about a high-society wife in postwar London) gives...

Dorothea Tanning at Tate Modern

"I wanted to lead the eye into spaces that hid, revealed, transformed all at one and where there...

Delivery at Chiswick Playhouse – review

“We’ve lost more men since we got back than we did in the war” Written...

The Claim: Review

Recently, I saw The Claim by Tim Cowbury, performed at Shoreditch Town Hall in London. Set in a home office interview room, The Claim...