Fiona Doyle
Galeria Presença presents In Limbo by Nikolaj Bendix Skyum Larsen
For his solo exhibition “In Limbo” in Portugal, Danish Artist, Nikolaj Bendix Skyum Larsen brings us his film production Quicksand along with new prints from his ongoing...
Palmyra Review – A Story of power, ego and revenge
Written and performed by French actor Bertrand Lesca and Greek actor Nasi Voutsas, Palmyra is a play about destruction, power, ego and revenge. The...
Instructions for border crossing: Review
He asks her “What are you afraid of?”
She asks “you want me to tell you here … in front of all these people?”
“Yes”, he...
The Country Wife: review
Morphic Grafitti’s new production of William Wycherley’s 1675 raunchy restoration comedy, the Country Wife is re-imagined in the 1920’s Gatsbyesque Jazz age of playboys and...
Interview with the artist Mauro De Giorgi
Mauro De Giorgi tells me his most important artist tool, his “weapon of choice” and “beloved friend” is his 'fude' (Japanese calligraphy brush)”.
At just...
Girl from the North Country: Review
Set in the Depression-era of 1930s America after the Wall Street Crash, Girl from the North Country is a musical play by Irish playwright...
British Artist shortlisted for Sovereign Asian Art Prize 2018
Singapore-based British Artist Nicola Anthony is among the 30 finalists in the 2018 Sovereign Asian Art Prize announced by Sovereign Art Foundation in Hong...
The Claim: Review
Recently, I saw The Claim by Tim Cowbury, performed at Shoreditch Town Hall in London. Set in a home office interview room, The Claim...
Philip Ridley’s ‘Angry’
Philip Ridley’s new play ‘Angry’ consisting of six monologues is an important work at this time. Directed by Max Lindsay, the intense 90-minute play, subjects...
In Conversation with Christian Zanotto
From an early age, Christian Zanotto was passionate about all things digital; computers, calculators, quartz watches, robots, cameras and lunar expeditions. It was while...
