Fiona Doyle
Algorithmic Alchemies: How Gordon Cheung Bridges the Dutch Golden Age and the Digital Age
In his latest exhibition, Many Worlds, One Mind, the London-based multimedia artist uses pixel-sorting algorithms and financial data to unmask the...
The lens that captured the pop revolution
A Defining Moment: Andy Warhol with the Marilyn Acetate: William John Kennedy at the National Portrait Gallery
There...
In Conversation with Leah Haile on the Chaos of Black Comedy
This May, the Orange Tree Theatre invites audiences into a pitch-black world of hilarious deception. Peter Shaffer’s classic farce, Black Comedy,...
Identity, Art, and the Alter Ego: Jean-Luke Worrell on aggy at Park Theatre
Entering it's last week at Park Theatre, aggy is a bold, one-act exploration of the friction between creativity and identity. Running until...
Ancient Grease: A Mythic, Queer Riot in the Tunnels! | Review
Descending into the graffiti-lined tunnels of The Vaults is always an experience, but Ancient Grease turns that underground...
Steve Simmonds: Bringing Heart and Humour to ‘The Secret Garden’ at York Theatre Royal
York Theatre Royal is currently blooming with the arrival of the Tony Award-winning musical, The Secret Garden. Based on the timeless 1911...
Northern Soul and Modern Struggles: Do I Love You Arrives at Wilton’s Music Hall
Rooted in the electric energy of the Northern Soul movement, Do I Love You is a high-octane production that navigates the parallel...
Sit or Kneel, The Other Palace | Review
An Ambitious One-Woman Show That Doesn't Quite Land
Mimi Nation-Dixon on one-woman comedy Sit or Kneel
Breakthrough one-woman comedy Sit or Kneel opens at The Other Palace Studio, Victoria, from 21–26 October (press night: Wednesday 22 October). This...
The Pitchfork Disney | Review
By Philip Ridley, Directed by Max Harrison
Max Harrison’s revival of Philip Ridley’s The Pitchfork...
