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CSI: Crime Scene Improvisation | Review
Crime Scene Improvisation has arrived at Wilton’s Music Hall in London and does not disappoint in it's ten-year...
The Marilyn Conspiracy | Review
The Marilyn Conspiracy was co-written by Vicki McKellar and Guy Masterson. Directed by Guy Masterson, it was first...
Kalifa Taylor on her role in All’s Well That Ends Well
Shakespeare in the Squares returns to London’s garden squares and open spaces this summer, presenting Shakespeare’s timeless classic All’s Well That Ends...
Director Sioned Jones on All’s Well That Ends Well
Shakespeare in the Squares celebrates its seventh anniversary with an all-new production of All’s Well That Ends Well with a fairytale twist...
Interview with Phoebe Ladenburg in Surrender at the Arcola Theatre
Surrender is the result of a collaboration between Writer Sophie Swithinbank and Director/Performer Phoebe Ladenburg and Director Associate Nancy Medina. Drawing on Phoebe’s...
Exhibition | Uncarved Block, Unbleached Silk
“To watch the sun sink behind a flower clad hill. To wander on in a huge forest without thought of return. To...
Ellie Clayton on performing in Fun at the Beach Romp-Bomp-A-Lomp
Written by Brandon Lambert and Martin Landry Fun at the Beach Romp-Bomp-A-Lomp is brand-new musical. It will run from 24th May to...
Eva Redman on her role in Princess Smartypants
The Wardrobe Ensemble and Wayward Productions present Princess Smartypants which is written by Babette Cole and adapted by The Wardrobe Ensemble. Currently...
Black Swans at Omnibus Theatre | Review
Translated into English by Pauline Wick, Black Swans is written by Christina Kettering and directed by Ria Samartzi....
Jeanne du Barry review
Jeanne du Barry (15A) tells the story of Jeanne Bécu, the illegitimate child of a friar, who became a...
