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Saturday, November 23, 2024

Review

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Hell yes I am tough enough – review

This hilarious yet unsettling satirical political piece by Ben Alderton at Park Theatre, London, gives us a manic,...

Scary Bikers review; grief, bicycles and Brexit.

Just a short walk from the squabbling politicians at Westminster, Trafalgar Studios presents a play set around...

Ghost Fleet – a harrowing tale of slavery and brutality

How often do you look at a label on food and see where it came from and really...

We’re Staying Right Here – review

We’re Staying Right Here from debut writer Henry Devas is a immersive manic black comedy that explores some...

‘Jesus Hopped the ‘A’ Train’ review

Jesus Hopped the 'A' Train by the Pulitzer Prize-winning author Stephen Adly Guirgis returns to London and is playing...

Nelson Mandela: the Official Exhibition

26 Leake Street Gallery at Waterloo’s Graffiti Tunnels is transformed into an interactive audiovisual space taking you on...

The Ministry of Biscuits at Barons Court Theatre: review

I went along to Barons Court Theatre last night with my sister to watch The Ministry of Biscuits. This...
Bill Viola’s Nantes Triptych, 1992, right, opposite Michelangelo’s Taddei Tondo at the Royal Academy. Photograph: David Parry © Royal Academy of Arts

Bill Viola/Michelangelo at the RA: Life Death Rebirth

Why are we here? - The theme is life death rebirth. A joint exhibition of two artists separated...

Stop and Search at the Arcola – Review

Directed by Mehmet Ergen, Stop and Search, a play by award-winning Irish-Nigerian writer Gabriel Gbadamosi examines how we police...

Peter Pan at Richmond Theatre – review

Directed by Jonathan Kiley, Richmond’s panto of Peter Pan is a fun show for both children and adults. Robert Lindsay’s...