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Klimt/Schiele: Drawings from the Albertina Museum, Vienna, Royal Academy of Arts, 4 November 2018...
The Royal Academy in collaboration with the Albertina Museum in Vienna presents 100 portraits, allegories, landscapes and erotic...
The Country Wife: review
Morphic Grafitti’s new production of William Wycherley’s 1675 raunchy restoration comedy, the Country Wife is re-imagined in the 1920’s Gatsbyesque Jazz age of playboys and...
We’re Staying Right Here – review
We’re Staying Right Here from debut writer Henry Devas is a immersive manic black comedy that explores some...
The Sweet Science of Bruising |review
Wilton's Music Hall is the setting for Joy Wilkinson's play, The Sweet Science of Bruising. This fabulous Grade...
Philip Ridley’s ‘Angry’
Philip Ridley’s new play ‘Angry’ consisting of six monologues is an important work at this time. Directed by Max Lindsay, the intense 90-minute play, subjects...
Trainspotting Live – Riverside Studios | Review
Irvine Welsh’s 1993 novel Trainspotting, is brought to life in this immersive live performance that includes nudity, a lot...
Mrs. Dalloway at Arcola Theatre
Hal Coase adaptation of Virginia Woolf's 1925 novel, Mrs. Dalloway (about a high-society wife in postwar London) gives...
The Ministry of Biscuits at Barons Court Theatre: review
I went along to Barons Court Theatre last night with my sister to watch The Ministry of Biscuits. This...
Hannah Robinson talks about the new edition of Secret London, Unusual Bar & Restaurants
The new edition of Secret London – Unusual Bars and Restaurants is out now and it does not disappoint.
Dorothea Tanning at Tate Modern
"I wanted to lead the eye into spaces that hid, revealed, transformed all at one and where there...
