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Black Swans at Omnibus Theatre | Review
Translated into English by Pauline Wick, Black Swans is written by Christina Kettering and directed by Ria Samartzi....
Jeanne du Barry review
Jeanne du Barry (15A) tells the story of Jeanne Bécu, the illegitimate child of a friar, who became a...
Olivia Forrest on her role in ‘A Chorus of Disapproval’
Written by Alan Ayckbourn, A Chorus of Disapproval tells the story of recently widowed Guy who joins his local Amateur Light Operatic...
CHRONOS | A solo exhibition by painter Maria Kreyn, Venice
Ministry of Nomads Art Foundation (MON) presents Maria Kreyn’s solo exhibition CHRONOS. Curated by Maria Vega, it runs from Monday 15 April...
MARCK’s Playground at Bluerider ART
Bluerider ART, a progressive gallery, was founded in 2013 by Taipei-based IT entrepreneur Elsa Wang. It launches it's 2024 Programme...
KAREN at the Other Palace | Review
Directed by Evie Ayres-Townshend, KAREN is written and performed by Sarah Cameron-West. It just finished its run at...
Anna Seymour on her role in The Promise
Lyric Hammersmith Theatre, Deafinitely Theatre (The Vagina Monologues, Everyday and 4.48 Psychosis) and Birmingham Rep present the Promise which is written by Paula...
Writer Harry McDonald on FOAM premiering at Finborough Theatre
“You forget I knew you were a queer long before I knew you were a fascist.”Written by Harry Mc Donald, FOAM, premiered...
Scarlet Sunday at Omnibus Theatre | Review
Written by James Alston and directed by Imy Wyatt Corner, Scarlet Sunday is a two-hander play about...
Gamble at Pleasance London | Review
Gambling is in the palm of your hand. All day. All night. Every second. Right. Now. The...
