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Thursday, December 19, 2024

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Emily McGlynn (Kit), Alex Brain (Cassie), Helen Chong (Tin) - credit Claire Bilyard

Cassie and the Lights | Review

Based on real-life events and interviews with children in care, Cassie and the Lights tells the poignant story...

Reginald D Hunter: The Man Who Could See Through Shit

I am in a packed auditorium in Leicester square theatre in London on the final day of Reginald...
Patriarchat mini, 2023, 29x17.3x3.5cm, LCD screen, concrete

MARCK’s Playground at Bluerider ART

Bluerider ART, a progressive gallery, was founded in 2013 by Taipei-based IT entrepreneur Elsa Wang. It launches it's 2024 Programme...

KAREN at the Other Palace | Review

Directed by Evie Ayres-Townshend, KAREN is written and performed by Sarah Cameron-West. It just finished its run at...
Anna Seymour (Rita) - credit Becky Bailey

Anna Seymour on her role in The Promise

Lyric Hammersmith Theatre, Deafinitely Theatre (The Vagina Monologues, Everyday and 4.48 Psychosis) and Birmingham Rep present the Promise which is written by Paula...

Writer Harry McDonald on FOAM premiering at Finborough Theatre

“You forget I knew you were a queer long before I knew you were a fascist.”Written by Harry Mc Donald, FOAM, premiered...

Gamble at Pleasance London | Review

Gambling is in the palm of your hand. All day. All night. Every second. Right. Now. The...

Patrycja Kujawska on Wise Children’s Blue Beard

Written by Emma Rice, Blue Beard, is a co-production with Birmingham Rep, HOME Manchester, Royal Lyceum Theatre, Edinburgh and York Theatre Royal. It opened...
Photographer credit: Steve Gregson

Camilla Aiko  on her role in Scarlet Sunday at Omnibus Theatre

Written by James Alston and directed by Imy Corner, Scarlet Sunday is a mesmerising two-hander that delves into the struggle to...
Image: Danny Kaan.

Review: BEFORE AFTER, Southwark Playhouse Borough

Georgie Rankom directs this musical that promises the kind of boy meets girl format of romcoms from the...