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Sunday, October 4, 2026

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Returning to Rydell: In Conversation with Stephanie Costi

Following a sold-out run in 2025, Grease: The Immersive Movie Musical returns to Evolution London in Battersea Park this summer. Audiences will...

Exposing the Shadows: Mollie Milne on Making Her London Debut in ‘Firebird’

The fragile bond between two teenage girls is tested in ways neither could have imagined when one is drawn into the...

Algorithmic Alchemies: How Gordon Cheung Bridges the Dutch Golden Age and the Digital Age

In his latest exhibition, Many Worlds, One Mind, the London-based multimedia artist uses pixel-sorting algorithms and financial data to unmask the...
William John Kennedy, Andy Warhol with the Marilyn Acetate (1964), Chromogenic Print. Courtesy of The Warhol Kennedy Residence.

The lens that captured the pop revolution

A Defining Moment: Andy Warhol with the Marilyn Acetate: William John Kennedy at the National Portrait Gallery There...
Black Comedy at Orange Tree Theatre - credit Sam Taylor

In Conversation with Leah Haile on the Chaos of Black Comedy

This May, the Orange Tree Theatre invites audiences into a pitch-black world of hilarious deception. Peter Shaffer’s classic farce, Black Comedy,...

Identity, Art, and the Alter Ego: Jean-Luke Worrell on aggy at Park Theatre

Entering it's last week at Park Theatre, aggy is a bold, one-act exploration of the friction between creativity and identity. Running until...

Ancient Grease: A Mythic, Queer Riot in the Tunnels! | Review

Descending into the graffiti-lined tunnels of The Vaults is always an experience, but Ancient Grease turns that underground...

Steve Simmonds: Bringing Heart and Humour to ‘The Secret Garden’ at York Theatre Royal

York Theatre Royal is currently blooming with the arrival of the Tony Award-winning musical, The Secret Garden. Based on the timeless 1911...

Northern Soul and Modern Struggles: Do I Love You Arrives at Wilton’s Music Hall

Rooted in the electric energy of the Northern Soul movement, Do I Love You is a high-octane production that navigates the parallel...

Sit or Kneel, The Other Palace | Review

An Ambitious One-Woman Show That Doesn't Quite Land