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The Country Wife: review
Morphic Grafitti’s new production of William Wycherley’s 1675 raunchy restoration comedy, the Country Wife is re-imagined in the 1920’s Gatsbyesque Jazz age of playboys and...
Deborah Alli on her role in School Girls; Or, The African Mean Girls Play
Written by Jocelyn Bioh and directed by Monique Touko, School Girls; Or, The African Mean Girls Play runs from 08 Jun -...
Leigh Lothian on her role in The Lovely Bones
Directed by Melly Still, The Lovely Bones by Alice Sebold, opened this week at the Birmingham Repertory Theatre as it begins a country-wide...
Ivan Alovisio on his role in Cheek by Jowl’s The Revenger’s Tragedy
Intrigue, corruption, lust and the thirst for power collide in Cheek by Jowl’s decadent first Italian show. The Revenger's Tragedy (La tragedia...
Horrible Histories: Barmy Britain at The Apollo
How do you describe history to children without boring them? How do you get their attention and...
Mary Higgins & Ell Potter on their production Hotter
Following a sell-out run at the Edinburgh Festival Fringe, Hotter has just completed a week in the Westend to rave five-star reviews. The show...
Black Swans at Omnibus Theatre | Review
Translated into English by Pauline Wick, Black Swans is written by Christina Kettering and directed by Ria Samartzi....
Ed White directs Lipstick at Southwark Playhouse
‘Sorry I don’t fit into your preconceived notions of me.’
Rupert Henderson Productions...
Disenchanted: A Cabaret of Twisted Fairy Tales – review
Eliane Morel is ‘Madame d’Aulnoy’ speaking to us from her 19th century Parisian salon. This very timely one woman...
Phoebe Pryce on her role in Girl on the Train
Based on the best-selling novel by Paula Hawkins and the blockbuster film from DreamWorks, this production of Girl on the Train...
