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Review: BEFORE AFTER, Southwark Playhouse Borough
Georgie Rankom directs this musical that promises the kind of boy meets girl format of romcoms from the...
The Swell at Orange Tree Theatre | review
Directed by Hannah Hauer-King The Swell which was shortlisted for the Women’s Prize for Playwriting in 2020 is currently showing...
Cyanide at 5, King’s Head Theatre | Review
Directed by Peter Kavanagh, Cyanide at 5 is a gripping revenge drama by award-winning Czechoslovakian novelist and playwright, Pavel...
The Shape of Things | review
Neil LaBute's two hour four-hander dark comedy is just as relevant today as it was 20 years ago....
Sh!t-faced Showtime: A Pissedmas Carol | Review
A Pissedmas Carol, part of the Sh!t-faced Showtime, is back at the Leicester Square Theatre and is a hilarious...
Scarlet Sunday at Omnibus Theatre | Review
Written by James Alston and directed by Imy Wyatt Corner, Scarlet Sunday is a two-hander play about...
Mustapha Matura’s Meetings | Review
Award winning director Kalungi Ssebandeke directs the 21st century UK revival of Mustapha Matura's 1981 dark satire Meetings....
Life is a Dream, (La vida es Sueño), Cheek by Jowl, Barbican Theatre review
Pedro Calderón de la Barca’s 1635 Baroque verse play is modernised by Declan Donnellan and Nick Ormerod.
Jeanne du Barry review
Jeanne du Barry (15A) tells the story of Jeanne Bécu, the illegitimate child of a friar, who became a...
Sorry We Didn’t Die at Sea | Review
Emanuele Aldrovandi's absurd satirical play Scusate Se Non Siamo Morti in Mare is translated into English by Marco...
