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‘THE BEAST WILL RISE’ A unique online collection of monologues by Philip Ridley
Philip Ridley has responded to the current lockdown situation, with a series of online monologues in association with Tramp and the...
Adam Pownall’s ‘Getting Better Slowly’ about recovery after paralysis is streamed for charity
While people across the globe are currently under lockdown with the Covid 19 pandemic, many years ago, Adam Pownall experienced a...
Marquee TV launches joint initiative with the UK’s premier Arts Organisations
Over the last few weeks, because of the COVID19 global pandemic, we saw all the theatres in the Westend close down. We...
Delivery at Chiswick Playhouse – review
“We’ve lost more men since we got back than we did in the war”
Written...
Alisha Bailey on her role in Clybourne Park
Clybourne Park is a razor-sharp satire about the politics of race and real estate.
Written by Bruce Norris who...
A Festival of Korean Dance returns to ‘The Place’ for a third year
An all-female line-up of four leading contemporary choreographers explore movement in the context of gender and sensuality over three evenings.
Danny Ashok on his role in The Seagull
Anya Reiss' adaptation of Anton Chekhov's The Seagull with Emilia Clarke and directed by Jamie Lloyd as the second show in a season at Playhouse Theatre which...
Lipstick at Southwark Playhouse – review
In an unusual twist, two women play the teenage boys in Lily Shahmoon’s delightful and witty Lipstick. This is...
Ivan Alovisio on his role in Cheek by Jowl’s The Revenger’s Tragedy
Intrigue, corruption, lust and the thirst for power collide in Cheek by Jowl’s decadent first Italian show. The Revenger's Tragedy (La tragedia...
The Creature [Frankenstein retold] – review
A vessel trapped in the frozen Arctic ocean miles from the shore, takes on a stranger. The woman...
